
Solo works
Piano
- Gilbert’s Piece (excerpt),
- Invisible Waltz
Sax
- Piece for Bass Saxophone(excerpt): Premiered by Andreas van Zoelen (2000) and performed by David Brutti at the 2007 Ravenna Festival.
- Bert Finds his Dancing Feet (Almost)(excerpt) (Claire Hollyoake-clarinet)
Chamber
- Prayer (for accordion, trumpet and cello)
- Welcome! (for Three Wagner Tubas and narrator. Words by Rumi)
- In Memoriam, J (for 2 Cellos and Kurzweil synthesizer)
- Triumphal March (Nearly) (for trombone, electric guitar and drumkit)
- She waits in whispers (2 versions: 1. alto flute, viola, and contrabass; 2. 2 cellos and piano)(Ruth Beaucahmp & Robin Mason: cellos, Richard Beauchamp: piano)
- The Twisted Ladder (for trumpet, flute and cello)
- * (for bass saxophone and piano)
- Invocation (for freebass accordion, violin, cello and tapes)
- Fragment (for three cellos)
- The Octave (for electric guitar, electric violin and electric cello)
- La Muerta, tango (premiered 2003 by Tango Volcano)(excerpt)
- Little Suite for Three Players
- Perpetuum Mobile (For eight handbell players)
- Three Days (For bass saxophone and cor anglais)
- Not Yet (Aleatoric piece for speaking voice and ensemble.) (Premiered 1999 in Caithness)
- Quintette (For wind quintet.)(excerpts from Movements 2 and 3, below)
- Prayer for the Living (For sprechstimme and four trombones) (premiered in Aberystwyth in 1997) (John Kenny, Emily White and ensemble-trombones;JB-voice)
-
Orchestra
- Bert goes to the Funfair (Premiered by The Open Orchestra 2013)
- Fantasia on London Themes (Premiered by The Open Orchestra 2017)
Brass band
- Fantasia on London Themes
Choral
- Four Odes After Rumi (SPNM shortlisted work – 2002/2003)
Musical
- Whisky Kisses (book and lyrics by Dave Smith and Euan Martin) (Pitlochry Summer Season 2014)
Song Settings
- Will ye go to the Indies, my Mary (words: Robert Burns)
- It was a lover and his lass, Blow Blow thou Winter wind, Ye snakes with double tongue (Shakespeare)
- I am the cook (Words: Brecht) [Jim Bryce’s exceptionally brilliant music for Max’s satirical song, The Cook……I asked for something Weill-ish………It could be by Weill…..Ausgezeichnet und wundervoll!: Michael Daviot, playwright]